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FXPHD – NUK306 Production Nuke Finishing
In this advanced level NUKE course, members explore what it takes to truly take a shot to final, from a film visual effects perspective. Professor Alex Fry, fresh off his stint as lead compositor at Animal Logic for The Great Gatsby, works through several scenes of a recent independent project and show advanced techniques for getting great composites in NUKE.
Many artists are under the impression that getting a shot to final relies merely on technical correctness and creative polish. While those are obviously two major factors, an often-overlooked influenced can be the most critical: the client. And by client that could be a paying client or — at a facility — the person the artist is working for: a sequence supervisor, vfx supervisor, director, or even the studio. The reality is that finalling a shot isn’t really about any particular skill, but rather responding to feedback correctly and giving people up the chain what they want.
Alex works through advanced techniques and knowledge required for compositing, such as utilizing position data and mastering camera techniques. While at the same time shows how to correctly address feedback from reviews over the iterative process of finalling a shot.
数码— —NUK306生产核弹整理
在这个先进水平核过程中，成员探讨如何才能真正拍到最后，从电影的视觉效果的角度。教授Alex鱼苗，刚从他担任为了不起的盖茨比，通过最近的独立项目的几个场景作品动物逻辑导线排序和显示准备伟大复合材料在NUKE的先进的技术。
很多艺术家都下，打了一针到最后仅仅依靠技术的正确性和创造性的波兰语的印象。而那些显然是两个主要因素，经常被忽视的影响可以是最关键:客户端。由客户端所能支付的客户端或— —在一个设施— —艺术家为工作的人:序列主管、视觉特效总监、导演或甚至工作室。现实是一个镜头不是真正关于任何特定的技能，而是正确地响应反馈和给链上的人他们想要什么，擦肩而过。
Alex通过先进的技术和知识所需的合成，例如利用位置数据和掌握相机技术工作。而在同一时间显示如何正确处理反馈从擦肩而过的迭代过程回顾一枪。 |
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