Atomic Shadow Panoramic Wave Generator KONTAKT

Atomic Shadow Panoramic Wave Generator KONTAKT | 477 Mb
The Panoramic Wave Generator is an experimental sound generating sample library for the Kontakt sampler from Native Instruments. Do you remember the early days of sampling? Or making long, low speed tape loops? That was the inspiration for the Panoramic Wave Generator. I still have an old Akai S-612 and it is one of those things that I just never get tired of. You can take a sound and stretch it across the entire keyboard. Depending on your sound it can sound like a howling demon in the low registers or a shrieking bird of prey on the high notes. Of course the old Akai has something like 2 seconds of sampling time.
The sounds that come come with the PWG have no such time limits. They are long, evolving stereo sounds. They are mapped somewhere in the middle range of the keyboard, looped, and then assigned across 5 octaves. Most of the sounds are well over two minutes. They mutate and modulate over time. When they are played in the lower registers it can take quite awhile for it to to play out. One fingered drones anyone?
The sound design made good use of a collection of field recordings that goes back for years. There are machines in action and machines in the their last moments of dying agony. There are many sounds that use the Command Center's collection of exotic old test gear. Sine and square wave generators, modular filters, ring modulators and a good dose of some top secret gear that cannot be disclosed. Some of the sounds are very playable as pitched instruments while others are far out in soundscape territory. There are sounds that hiss. Sounds that crackle and moan. You can hear the electricity moving around in there.
The user interface is simple though it gives you far more control than my old Akai. There is an LFO section to modulate the sound, tone control, an envelope section and a velocity and balance adjustment on the top row. The lower section is for effects. We start off with a chorus, flanger or phaser. Follow that with a delay with width control and end up with a reverb section with three types of convolution to choose from. There is a great deal that can be done to these very simple controls.
My suggestion is to run this machine through other machines in your own collection, or abuse it with your favorite plugin. I have had some feedback about running these sounds through Kaoss Pads and stutter plugins. Since most of the samples are over 2 minutes long they take well over 4 minutes to play back at lower pitches try holding out a low note and then pitch shifting it up and adding another layer of effects after the pitch shifter. Good results may also be found by layering these sounds. Short envelope times will turn some of the more soundscape-y presets in to playable pitches. The presets are only a starting point. Experimenting is the key!
原子阴影全景波发生器| Kontakt 477 MB
全景式波发生器是一个实验性的声音产生样本库，从本地工具的Kontakt采样器。你还记得早期的采样吗？或者说长，低速磁带循环？这是全景波发生器的灵感。我还有一个旧雅佳s-612和这是一个我永远也不会厌倦的事情。你可以带一个声音，穿过整个键盘。根据你的声音可以听起来像一个咆哮的恶魔在低寄存器或尖叫的猛禽在高音。当然老雅佳有像2秒的采样时间。
来跟PWG的声音没有这样的时间限制。它们是长的，不断发展的立体声声音。他们被映射在键盘，中间范围介于环，然后分配跨越5个八度。大部分的声音都很好，超过2分钟。他们改变和调节时间。当他们在较低的寄存器播放时，它可以花相当长的时间，它可以发挥出来。一个手指的无人驾驶飞机的人吗？
声音设计很好地利用了几年的现场录音。在他们临终痛苦的最后时刻，有着行动和机器的机器。有许多声音，使用命令中心的收集异国情调的旧测试齿轮。正弦和方波发生器，模块化过滤器，环形调制器和一个很好的剂量的一些顶级机密齿轮，不能透露。有些声音是很耐玩为乐器而其他很远的音景的领土。有声音嘶。的声音，裂纹和呻吟。你可以听到周围的电。
用户界面是简单的但它给你更多的控制比我老赤井。有一个低频部分的调节声音，音调控制，一个信封和一段速度和平衡的调整在第一排。下段是为了影响。我们开始与合唱，镶边或移相器。跟着一个时延宽度控制和结束了一个混响部分具有三种类型的卷积来选择。有一个伟大的交易，可以做这些非常简单的控制。
我的建议是在你自己的收藏中通过其他机器运行这台机器，或者用你最喜欢的插件滥用它。我有一些反馈运行这些声音通过KAOSS垫和口吃的插件。由于大多数样品都超过2分钟所需时间超过4分钟播放低音抱着试试看的出低注，那么音调移位和添加另一层作用后的移调。好的结果也可能被发现通过分层这些声音。时间短的信封将一些更soundscape-y预置在玩球。预设只是一个起点。实验是关键！