Uartsy – Creature Creation For Games

10 Modules MP4
Title: Uartsy – Creature Creation For Games
Info:
In this 10-week course you will be creating 3 characters, ordered much like any RPG (role-playing game); beginning with the simple and grinding your way into the complex and most rewarding. The course will cover multiple workflows for creating compelling creatures for video games using a variety of tools, from introductory to advanced. Most importantly, while providing you with all the technical knowledge you can handle, we aim to make this course 10 weeks of intense fun for any artist with a passion for real-time beasties.
The 5 most important lessons:
Sculpting creature anatomy using real world creature mechanics
Maintaining aesthetic appeal and vision in concept art implementation
Reconciling the anatomical, physiological and morphological in the odd and fantastic
Workflow optimization for simplifying complex retopology, UVing and generating maps
Building a stunning realtime creature presentation in Unreal
Project 1 : Building a Nooblidon
In this first week we will be working on a simple character to review the concepts of producing a creature character for real-time render
Covered Topics:
Modeling A Minor NPC Creature Using ZBrush & Maya
ZBrush Texturing Fundamentals
Creating Ordered Topology Within ZBrush
UV, Height & Texture Map Generation In ZBrush
Previzualization Using Maya’s Real-Time Renderer & Keyshot
Project 2 : Leveling Up – Sculpting A Mid-Sized Enemy Beast
In these following weeks we expand on the concepts introduced in the first week of the course and introduce tools that aid in producing better results for characters with a bit more complexity
Covered Topics:
Sculpting Creature Anatomy Using Real World Creature Mechanics
Maximizing ZBrush Mesh Control For Sculpting
Project 3 : Leveling Up – Ordered Topology
Continue to expand on the concepts introduced in the first week and retopologize your mid-level creature
Covered Topics:
Fundamentals Of Ordered Topology
Retopology Using The Modeling Toolkit In Maya 2015
Project 4 : Leveling Up – Putting On The Polish
Add the finishing touches to your mid-level creature and create a final polished render
Covered Topics:
ZBrush & Photoshop Techniques To Generate Rich Textures
UV & Map Generation Using Maya
Using Marmoset Toolbag For Dynamic Presentation
Project 5 : The Boss Battle – Creating a Behemoth
During the second half of the course, the emphasis will be on getting the best possible results using an array of tools and techniques when producing a heroic enemy NPC
Covered Topics:
Reconciling The Anatomical, Physiological & Morphological In The Odd & Fantastic
Management Of A Complex Game Character Project
Maintaining Aesthetic Appeal & Vision In Concept Art Implementation
Project 6 : The Boss Battle – Sculpting To Match Scale
Continue working on your heroic enemy NPC, paying special attention to hybrid creatures that combine anatomy from multiple species
Covered Topics:
Sculptural Lighting & The ZBrush Blockout
Reference Sculpting In ZBrush
Building Creatures From The Bones Out
Sculpting In Anatomical Hybridization Guided By Morphology
Project 7 : The Boss Battle – Digging In Deeper & Adding Complex Elements
This week you will enhance the complexity of your heroic enemy NPC by adding details and creating hard surface accessories.
Covered Topics:
Final Sculptural Details Using Alphas, Brush Modification & Surface Noise
Preparation For Hair & Fur Using Fibermesh To Generate Planar Poly Hair
Hard Surface Creature Elements & Accessories Using ZBrush
Project 8 : The Boss Battle – Workflow Optimization
This week, Damian will share his tips for optimizing your workflow, as you continue working on your heroic enemy NPC and begin the process of retopologizing and generating maps
Covered Topics:
Simplifying Complex Retopology
UVing Using Maya & ZBrush
Map Generation Using xNormals
Project 9 : The Boss Battle – Creating Compelling Color & Materials
This week, you will texture your heroic enemy NPC, using a combination of programs to get the best result
Covered Topics:
Tips For Selecting Appropriate Colors & Textures For Game Creatures
Texturing With Photoshop, ZBrush, Substance Designer & Substance Painter
Project 10 : Bonus: Rigging
10模块MP4
标题:Uartsy— —生物创造的游戏
信息:
在这10 周的课程中您将创建3个字符，下令很像任何RPG(角色扮演游戏);从简单的开始和磨成的复杂和最有意义的你的方式。该课程将涵盖多个工作流创建令人信服的生物使用各种各样的工具，从入门到高级的视频游戏。最重要的是，同时为你提供所有你能处理的技术知识，我们的目标是使本课程10个星期的激烈有趣任何一位艺术家以激情为实时的动物。
5最重要的经验教训:
雕刻的生物解剖使用真实世界的生物力学
维护的审美情趣和视觉概念艺术执行
调和的解剖、生理和形态中，奇数和神奇
工作流程的优化，简化复杂的进行，UVing和生成地图
建设一个令人惊叹的实时生物演示文稿在虚幻
项目1:建立Nooblidon
在这第一周我们将工作在一个简单的角色来查看生产实时渲染的生物特征的概念
涵盖的主题包括:
建模小人大生物使用ZBrush&玛雅
ZBrush纹理基本面
创建在ZBrush内的序的拓扑
紫外线、高度与ZBrush纹理地图生成
Previzualization使用玛雅的实时渲染器&快捷键
项目2:平— —雕刻的中型的敌人野兽
在这些接下来几周我们扩大在第一周的课程中介绍的概念和介绍的工具，可帮助更好的结果，对于稍微复杂的字符
涵盖的主题包括:
雕刻的生物解剖使用真实世界的生物力学
最大化ZBrush网格控制雕刻
项目3:平— —序拓扑
继续扩大对引入的第一周的概念，重新拓扑你中级生物
涵盖的主题包括:
序拓扑的基本原理
在玛雅2015 年使用建模工具包进行
项目4:平— —穿上波兰语
最后的润色，对你中级生物和创建最后的抛光的渲染
涵盖的主题包括:
ZBrush&Photoshop技术来生成丰富纹理
UV&地图生成使用玛雅
狨猴包括用动态演示文稿
项目5:老板的战斗— —创建一个庞然大物
在第二个一半课程，重点将放在获得使用数组的工具和技术，生产一个英雄的敌人NPC时最佳的可能结果
涵盖的主题包括:
调和的解剖、生理与形态学中的奇数与神奇
复杂的游戏角色，项目管理
维护的审美情趣与视觉概念艺术执行
项目6:老板的战斗— —造型与规模相匹配
在你英雄的敌人NPC，特别注意结合解剖学来自多个物种的杂交动物继续工作
涵盖的主题包括:
雕塑的照明与ZBrush遮住
在ZBrush雕刻的参考
建设生物从出骨头
雕刻在指导下形态解剖杂交
项目7:老板的战斗— —挖深&添加复杂的元素
本周你将增强你英雄的敌人NPC的复杂度，通过添加详细信息和创建硬面辅料。
涵盖的主题包括:
使用阿尔法、刷修改与表面辐射噪声的最后雕塑详细信息
头发及皮毛使用网状生成平面聚头发准备
坚硬的地表生物元素&Zbrush的配件
项目8:老板的战斗— —工作流程的优化
本周，达米安将分享他优化您的工作流，你在你英雄的敌人NPC上继续工作，并开始retopologizing和生成映射的过程的提示
涵盖的主题包括:
简化复杂的进行
UVing使用玛雅&ZBrush
映射生成使用xNormals
项目9:老板的战斗— —创建令人信服的颜色与材料
这一周，你将纹理你英雄的敌人NPC，程序结合使用，以获得最好的结果
涵盖的主题包括:
选择适当的颜色与纹理游戏生物实用贴士
纹理与Photoshop、ZBrush，物质设计师&物质画家
项目10:奖金:索具